《薩樂美》講述什么樣的故事？
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
1、《薩樂美》是在哪一年上映的？
《薩樂美》是查爾斯·布萊恩特,艾拉·娜茲莫娃于1923年拍攝上映的一部經典劇情片。此片開創了美國當代劇情片的先河，《薩樂美》上映時票房穩坐國內外前三，創下當年最佳紀錄。在當時艾拉·娜茲莫娃均為最佳演員，艾拉·娜茲莫娃以精彩演技和完美的形象，奠定在美國影視地位。艾拉·娜茲莫娃飾演角色多年后仍為大眾爭相模仿。查爾斯·布萊恩特,艾拉·娜茲莫娃之前曾被人懷疑其能力，而《薩樂美》卻奠定查爾斯·布萊恩特,艾拉·娜茲莫娃劇情片風格。《薩樂美》首映時曾獲海外劇情片和媒體廣泛好評，被認為其優秀程度，是足以與同時期（指1980年代）好萊塢（好萊塢）優秀劇情片齊名。
2、被稱為劇情片的開先河之作的《薩樂美》，是查爾斯·布萊恩特,艾拉·娜茲莫娃最好的作品嗎?
從查爾斯·布萊恩特,艾拉·娜茲莫娃斬獲劇情片最佳導演 我就覺得這部《薩樂美》是他最好的劇情片。雖然查爾斯·布萊恩特,艾拉·娜茲莫娃后來還拍出來了評價特別好的劇情片，但是《薩樂美》是他劇情片的代表作品。
3、《薩樂美》為什么能成為經典之作？
提起美國劇情片，人們就肯定會說出《薩樂美》的名字。這部由查爾斯·布萊恩特,艾拉·娜茲莫娃導演，艾拉·娜茲莫娃主演的《薩樂美》，在當時，真的是成為了一匹黑馬，殺出了一條血路，創造了一個奇跡。為何會這么說，我想，就連查爾斯·布萊恩特,艾拉·娜茲莫娃導演和艾拉·娜茲莫娃，都沒想到這部劇情片會得到這樣好的反響。查爾斯·布萊恩特,艾拉·娜茲莫娃先生曾說過，這是一群失意的人湊到了一起創作出來的一部作品。因為在《薩樂美》開拍之前，艾拉·娜茲莫娃已經有4年無戲可拍，而艾拉·娜茲莫娃主演的劇情片，票房始終不理想，這樣的幾個人湊在了一起，也真是緣分！所以，正是這樣的失意感和強烈的自尊心，他們在劇情片中投入的熱情，是我們難以想象的，其實《薩樂美》中的人物心理歷程和感人的劇情，何嘗不是現實中他們的真實寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實力和人情成就了這部經典劇情片，也成就了他們自己！
4、如何評價《薩樂美》?
《薩樂美》口碑非常好深受廣大觀眾喜愛，《薩樂美》一經播放立刻引來無數人關注，不僅艾拉·娜茲莫娃演的好而且該劇情片故事情節也非常緊湊，神馬影院（www.125my.com）觀看起來特別流暢同時還能扣人心弦，即使目前《薩樂美》收視率不佳但是該片目前受歡迎程度已經蒸蒸日上。該劇情片主演艾拉·娜茲莫娃，她在該劇情片中的演技可圈可點，受到艾拉·娜茲莫娃演的好而且該劇情片迷的認可。
5、《薩樂美》劇情片的主要內容
《薩樂美》是一部劇情片劇情片，由導演：查爾斯·布萊恩特,艾拉·娜茲莫娃執導，主演：艾拉·娜茲莫娃，
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
6、《薩樂美》是查爾斯·布萊恩特,艾拉·娜茲莫娃導演的一部經典的劇情美國片大全，該劇講述了：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adapta，想看更多的相關影視作品，請收藏我們的網站：www.125my.com
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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